"Sonata No. 13 in D Major, WeissSW 18: IV. Sarabande" by Silvius Leopold Weiss, Michel Cardin was released on January 1, 2015. The duration of Sonata No. 13 in D Major, WeissSW 18: IV. Sarabande is about 3 minutes long, at 3:10. Based on our data, "Sonata No. 13 in D Major, WeissSW 18: IV. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #82 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Sonata No. 13 in D Major, WeissSW 18: IV. Sarabande is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonata No. 13 in D Major, WeissSW 18: IV. Sarabande by Silvius Leopold Weiss, Michel Cardin has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata No. 13 in D Major, WeissSW 18: IV. Sarabande being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Fantasia Que Contrahaze La Harpa De Ludovico | Alonso Mudarra, Hespèrion XXI, Jordi Savall | G Major | 1 | 9B | 91 BPM | ||
Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 85 BPM | ||
Partita No. 16 in D Minor: No. 4, Gigue | Giuseppe Antonio Brescianello, Massimo Lonardi | F♯ Minor | 2 | 11A | 87 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
Canários | Antonio Martín y Coll, Los Angeles Guitar Quartet | D Major | 2 | 10B | 98 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco | Adam Falckenhagen, Andrew Maginley | G Major | 3 | 9B | 104 BPM |
Section: 0.9127635955810547
End: 0.9181225299835205