Ian Watson made "Emptiness" available on May 1, 2013. With Emptiness being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "The Tao of Homeopathy". In this album, this song's track order is #8. In terms of popularity, Emptiness is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Emptiness by Ian Watson having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op. 28: No. 5 in D Major: Molto allegro | Frédéric Chopin, Vladimir Ashkenazy | D♭ Minor | 1 | 12A | 168 BPM | ||
Introit in F Major, Op. 6 | Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 85 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
Interconnectedness | Susie Hodder-Williams, Ian Watson | C Major | 0 | 8B | 82 BPM | ||
Missa Cantuariensis, Op. 59, "Canterbury Mass": VI. Agnus Dei | Edmund Rubbra, Ian Watson, St. Margaret's Westminster Singers, Richard Hickox | G Major | 1 | 9B | 77 BPM | ||
Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | E Minor | 1 | 9A | 88 BPM | ||
Mass No. 5 in E-Flat Major, Hob. XXII:4, "Große Orgelmesse": Mass No. 5 in E-Flat Major, Hob. XXII:4, "Große Orgelmesse": IIIc. Et resurrexit | Joseph Haydn, Collegium Musicum 90, Richard Hickox, Susan Gritton, Louise Winter, Mark Padmore, Stephen Varcoe, Ian Watson, Collegium Musicum 90 Choir | E♭ Major | 2 | 5B | 145 BPM | ||
Bible Songs, Op. 113: II. A Song of Trust | Charles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Stephen Varcoe, Ian Watson | C Major | 1 | 8B | 66 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM |
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