Emptiness - Ian Watson Information

Acousticness
80%
Danceability
66%
Energy
30%
Instrumentalness
0%
Liveness
20%
Loudness
62%
Speechiness
91%
Valence
43%
Popularity
Loudness
-22.764 dB

Summary

Ian Watson made "Emptiness" available on May 1, 2013. With Emptiness being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "The Tao of Homeopathy". In this album, this song's track order is #8. In terms of popularity, Emptiness is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Emptiness BPM

With Emptiness by Ian Watson having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Emptiness Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
24 Préludes, Op. 28: No. 5 in D Major: Molto allegro by Frédéric Chopin, Vladimir Ashkenazy24 Préludes, Op. 28: No. 5 in D Major: Molto allegroFrédéric Chopin, Vladimir AshkenazyD♭ Minor112A168 BPM
Introit in F Major, Op. 6 by Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard GriffithsIntroit in F Major, Op. 6Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard GriffithsD Minor17A85 BPM
Karelia Suite, Op.11: 1. Intermezzo (Moderato) by Jean Sibelius, Gothenburg Symphony Orchestra, Neeme JärviKarelia Suite, Op.11: 1. Intermezzo (Moderato)Jean Sibelius, Gothenburg Symphony Orchestra, Neeme JärviE♭ Major15B182 BPM
Interconnectedness by Susie Hodder-Williams, Ian WatsonInterconnectednessSusie Hodder-Williams, Ian WatsonC Major08B82 BPM
Missa Cantuariensis, Op. 59, Missa Cantuariensis, Op. 59, "Canterbury Mass": VI. Agnus DeiEdmund Rubbra, Ian Watson, St. Margaret's Westminster Singers, Richard HickoxG Major19B77 BPM
Massenet: Thaïs, Act 2: Méditation by Jules Massenet, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de ParisMassenet: Thaïs, Act 2: MéditationJules Massenet, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de ParisE Minor19A88 BPM
Mass No. 5 in E-Flat Major, Hob. XXII:4, Mass No. 5 in E-Flat Major, Hob. XXII:4, "Große Orgelmesse": Mass No. 5 in E-Flat Major, Hob. XXII:4, "Große Orgelmesse": IIIc. Et resurrexitJoseph Haydn, Collegium Musicum 90, Richard Hickox, Susan Gritton, Louise Winter, Mark Padmore, Stephen Varcoe, Ian Watson, Collegium Musicum 90 ChoirE♭ Major25B145 BPM
Bible Songs, Op. 113: II. A Song of Trust by Charles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Stephen Varcoe, Ian WatsonBible Songs, Op. 113: II. A Song of TrustCharles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Stephen Varcoe, Ian WatsonC Major18B66 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B110 BPM
Agnus Dei (based on ADAGIO for Strings) by John Barry, Samuel BarberAgnus Dei (based on ADAGIO for Strings)John Barry, Samuel BarberB♭ Minor03A71 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1376020908355713

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