"Massenet: Thaïs, Act 2: Méditation" by Jules Massenet, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris was released on February 2, 2018. Massenet: Thaïs, Act 2: Méditation is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Gautier Capuçon's "Intuition" album is number 1 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Massenet: Thaïs, Act 2: Méditation is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: Thaïs, Act 2: Méditation by Jules Massenet, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6, June (Barcarolle) | Pyotr Ilyich Tchaikovsky, Vassily Primakov | E Major | 0 | 12B | 89 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Poulenc: Les chemins de l'amour, FP 106 (Trancr. for Cello and Piano) | Francis Poulenc, Edgar Moreau, Pierre-Yves Hodique | D♭ Major | 1 | 3B | 140 BPM | ||
Concerto for Lute and 2 Violins in D Major, RV 93: II. Largo | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Major | 1 | 3B | 138 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen | G Minor | 1 | 6A | 137 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Rachmaninoff: 14 Romances, Op. 34, No. 14, Vocalise (Arr. for Cello and Piano) | Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero | E Minor | 0 | 9A | 84 BPM |
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