François Couperin, Aurèle Nicolet, Christiane Nicolet, Heinz Holliger, Marie-Lise Schüpbach, Thomas Brandis, Chiara Banchini, Josef Ulsamer, Manfred Sax, Christiane Jaccottet's 'Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 8. Sarabande grave, et tendre' came out on January 1, 1976. The duration of Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 8. Sarabande grave, et tendre is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 8. Sarabande grave, et tendre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 59 in Couperin: Nouveaux Concerts by François Couperin, Thomas Brandis, Heinz Holliger, Aurèle Nicolet, Josef Ulsamer, Laurenzius Strehl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 8. Sarabande grave, et tendre is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 8. Sarabande grave, et tendre by François Couperin, Aurèle Nicolet, Christiane Nicolet, Heinz Holliger, Marie-Lise Schüpbach, Thomas Brandis, Chiara Banchini, Josef Ulsamer, Manfred Sax, Christiane Jaccottet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM |
Section: 0.6649084091186523
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