"Giselle / Act 1: No. 5 Pas de deux" by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1962. The duration of Giselle / Act 1: No. 5 Pas de deux is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Giselle / Act 1: No. 5 Pas de deux's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 19 in Adam: Giselle by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan. The popularity of Giselle / Act 1: No. 5 Pas de deux is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 1: No. 5 Pas de deux by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan is Presto (very, very fast), since this song has a tempo of 183 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | B♭ Major | 0 | 6B | 138 BPM | ||
Harlequinade: Pas de deux: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 105 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 3, Allegro moderato alla marcia | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 1 | 10B | 111 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Giselle: Act I: Valse - Pas de vendanges | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 157 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
La bayadère, Act II: "Variazione Solor" | Silvano Belfiore | D Major | 4 | 10B | 77 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM |
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