"Behold, O God, Our Great Defender" by Herbert Howells, The Choir Of Westminster Abbey, Iain Simcock, Martin Neary, Martin Baker, London Brass was released on May 8, 2012. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "The Queen's Diamond Jubilee - Royal Music from Westminster Abbey". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Behold, O God, Our Great Defender is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Behold, O God, Our Great Defender by Herbert Howells, The Choir Of Westminster Abbey, Iain Simcock, Martin Neary, Martin Baker, London Brass having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave verum | Philip Stopford, The Ecclesium Choir | F♯ Minor | 1 | 11A | 142 BPM | ||
Chichester Service: I. Magnificat | Herbert Howells, Chichester Cathedral Choir, James Thomas, Alan Thurlow | C Major | 0 | 8B | 129 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: III. Siehe, wir preisen. Langsam und sanft | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 1 | 7B | 99 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | D Major | 2 | 10B | 88 BPM | ||
Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | F Minor | 3 | 4A | 91 BPM | ||
2 Sacred Chants: No. 1, Mercy of Peace | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E Major | 0 | 12B | 132 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Sacred Origins | Ola Gjeilo, Choir of Merton College, Oxford, Benjamin Nicholas | C Major | 1 | 8B | 82 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM |
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