"Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. The duration of Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 11 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | ||
La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
Tristan und Isolde, WWV 90, Act II Scene 2: Einsam wachend in der Nacht | Richard Wagner, Janina Baechle, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM |
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