"Ave Maria, CG 89a" by Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds was released on March 20, 2018. With this song being about 5 minutes long, at 5:07, "Ave Maria, CG 89a" by Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Ave Maria, CG 89a and no other songs are present in the album, we classify this track as a single. Ave Maria, CG 89a is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria, CG 89a by Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 78 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Miserere: Songs of Mercy and Redemption: 7. Panis Angelicus, Panis Hominum | Karl Jenkins, Stephen Layton, Iestyn Davies, Polyphony, Abel Selaocoe, Britten Sinfonia, Catrin Finch | D Major | 1 | 10B | 98 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Ave Maria, Prelude No. 1, BWV 846 | Sabrina Cortese & Michele Biki Panitti | G Major | 1 | 9B | 94 BPM | ||
Psalm 42, Op. 42, MWV A15: Wie der Hirsch schreit (Chorus) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A♭ Major | 1 | 4B | 74 BPM | ||
The Domestic Sublime: III. Coathangers Galore | Katy Abbott, Chris Wallace-Crabbe, Greta Bradman, Leigh Harrold | D Minor | 0 | 7A | 85 BPM | ||
Adagio for Strings and Organ in G Minor - Excerpt | Tomaso Albinoni, Stuttgart Chamber Orchestra, Karl Münchinger | C Minor | 2 | 5A | 96 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM |
Section: 0.7461543083190918
End: 0.7494561672210693