"Organ Pieces: On a fragment from Lyra Davidica" by Douglas Steele, John Turner, Stephen Hough, Richard Baker, Various Artists, Vanessa Williamson, Michael Hancock, John Powell, Carlisle Cathedral Youth Choir was released on 2005. With Organ Pieces: On a fragment from Lyra Davidica being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 42 in Autumn Sequence: The Music of Douglas Steele and His Circle by Various Artists. Organ Pieces: On a fragment from Lyra Davidica is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Organ Pieces: On a fragment from Lyra Davidica by Douglas Steele, John Turner, Stephen Hough, Richard Baker, Various Artists, Vanessa Williamson, Michael Hancock, John Powell, Carlisle Cathedral Youth Choir is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Les fleurs et les arbres, Op.68, No.2 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Major | 0 | 12B | 102 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Day by Day | Aramis Quartet | D Major | 0 | 10B | 114 BPM | ||
Messe "Cum Jubilo", Op. 11: IV. Benedictus (1967 Version) | Maurice Duruflé, Choir of King's College, Cambridge, Ashley Riches, Stephen Cleobury | A Major | 0 | 11B | 76 BPM | ||
Requiem: XI. Lux Aeterna | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | D Minor | 1 | 7A | 120 BPM | ||
Did Jesus Really Live Again? / Jesus Has Risen | Millennial Choirs & Orchestras, Brett Stewart, Brandon Stewart | E♭ Major | 1 | 5B | 76 BPM | ||
Requiem: IV. Sanctus | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 1 | 7B | 78 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Hostias | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Minor | 0 | 3A | 131 BPM | ||
Requiem aeternam | Alfred Schnittke, Annika Eliasson-Frick, Helena Olsson, Susanne Carlstrom, Malena Ernman, Johan Christensson, Jonas Lindeborg, Mikael Oskarsson, Magnus Bengtsson, Anders Kotz, Michael Engstrom, Eric Skarby, Stefan Therstam, Jonny Ronnlund, Fredrik Bjorlin, Rolf Thunander, Bo Soderberg, Swedish Radio Choir, Tõnu Kaljuste | C Major | 0 | 8B | 59 BPM |
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