"Les fleurs et les arbres, Op.68, No.2" by Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner was released on January 1, 1994. The duration of Les fleurs et les arbres, Op.68, No.2 is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Les fleurs et les arbres, Op.68, No.2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 18 in Fauré: Requiem / Debussy: Trois chansons de Charles d'Orléans / Saint-Saëns: Calme des nuits by The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner. In terms of popularity, Les fleurs et les arbres, Op.68, No.2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les fleurs et les arbres, Op.68, No.2 by Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 1 | 6B | 75 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Gloria, FP 144: 4. Domini Fili Unigenite | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 2 | 9B | 113 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Mass in B Minor, BWV 232: Dona nobis pacem (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F Major | 1 | 7B | 108 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
"Sweeter Than Roses", Z.585 | Henry Purcell, Emma Kirkby, Anthony Rooley | G Major | 0 | 9B | 109 BPM |
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