Coro Del Teatro Alla Scala Di Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano's 'Don Carlo (1884 4 Act Version), Act II: Spuntato ecco il dì d'esultanza (Coro/Coro di Frati)' came out on March 13, 2006. Since Don Carlo (1884 4 Act Version), Act II: Spuntato ecco il dì d'esultanza (Coro/Coro di Frati) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "The Platinum Collection". In this album, this song's track order is #12. Don Carlo (1884 4 Act Version), Act II: Spuntato ecco il dì d'esultanza (Coro/Coro di Frati) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Carlo (1884 4 Act Version), Act II: Spuntato ecco il dì d'esultanza (Coro/Coro di Frati) by Coro Del Teatro Alla Scala Di Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
Simon Boccanegra / Act 1: Messeri, il re di Tartaria (Doge, Paolo, Pietro, Gabriele, AMelia, Fiesco, Coro) | Giuseppe Verdi, Piero Cappuccilli, José Carreras, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Major | 3 | 6B | 136 BPM | ||
Aida: Erster Akt - Ritorna vincitor | Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 86 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | D Major | 0 | 10B | 115 BPM | ||
Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Fiorenza Cossotto, José Carreras, Maria Borgato, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Rigoletto, Act II: Figlia!...Mio padre! | Giuseppe Verdi, Ettore Bastianini, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Minor | 1 | 12A | 128 BPM | ||
Andrea Chénier / Act 1: Al mio dire perdono | Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Astrid Varnay, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A♭ Major | 2 | 4B | 127 BPM |
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