"Concerto In Re Maggiore Per Viola E Archi Grave (Tartini)" by Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani was released on 2000. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi, Tartini, Mercadante- Raritá by Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani. The song's track number on the album is #6 out of 14 tracks. Concerto In Re Maggiore Per Viola E Archi Grave (Tartini) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto In Re Maggiore Per Viola E Archi Grave (Tartini) by Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto In Re Maggiore Per Viola E Archi Grave (Tartini) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Concerto In Re Maggiore Per Viola E Archi Largo (Tartini) | Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani | D Major | 2 | 10B | 99 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 4 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Violin Concerto in B-Flat Major (Arr. M. Fanfoni for Violin & Chamber Ensemble): II. Adagio | Mauro D'Alay, Daniele Fanfoni, Reale Concerto | C Major | 1 | 8B | 62 BPM | ||
Vivaldi Four Seasons (Autumn) | Italian Music Players | E Major | 1 | 12B | 94 BPM | ||
Flute Concerto in D Major: II. Adagio, piano sempre | Baldassare Galuppi, Giorgio Bernabo, Estro Armonico Orchestra, L', Ezio Mabilia | C Major | 1 | 8B | 93 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
The Four Seasons: Autumn 2 | Delirium Musicum, Étienne Gara | E♭ Minor | 1 | 2A | 120 BPM | ||
Concerto No. 1 In D Major RV 549: III. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 144 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM |
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