Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Dwayne Croft, James Courtney, Metropolitan Opera Orchestra, James Levine made "Manon Lescaut / Act 2: Lescaut? Tu qui?" available on January 1, 1993. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #22. Manon Lescaut / Act 2: Lescaut? Tu qui? is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Manon Lescaut / Act 2: Lescaut? Tu qui? by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Dwayne Croft, James Courtney, Metropolitan Opera Orchestra, James Levine having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'anima ho stanca... from Act II of Adriana Lecouvreur - Voice | Francesco Cilea, Plácido Domingo, James Levine, Philharmonia Orchestra | E Minor | 3 | 9A | 80 BPM | ||
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 84 BPM | ||
La Palummella | Anonymous, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | C Minor | 3 | 5A | 121 BPM | ||
Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte) | Gioachino Rossini, James Levine, Beverly Sills, Nicolai Gedda, Renato Capecchi, Sherrill Milnes, London Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Turandot / Act 1: La grazia, Principessa! - O divina bellezza (Coro / Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 82 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
I Puritani / Act 3: Son salvo, alfin son salvo | Vincenzo Bellini, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 93 BPM |
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