"La Dogaresa: "Miccone" - Remastered" by Antonio Lopez Monis, Rafael Millán, Manuel Ausensi, Ataúlfo Argenta, Juan Goróstidi, Gran Orquesta Sinfonica was released on May 15, 2011. With La Dogaresa: "Miccone" - Remastered being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Antonio Lopez Monis, Rafael Millán, Various Artists, Ataúlfo Argenta, Juan Goróstidi, Gran Orquesta Sinfonica's "La Zarzuela: La Dogaresa (Versión Libreto Digital)" album is number 12 out of 12. On top of that, Spain appears to be the country where this track was created. The popularity of La Dogaresa: "Miccone" - Remastered is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Dogaresa: "Miccone" - Remastered by Antonio Lopez Monis, Rafael Millán, Manuel Ausensi, Ataúlfo Argenta, Juan Goróstidi, Gran Orquesta Sinfonica to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Tito Gobbi, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
Amhrán na bhFiann | Marinoski Orchestra | C Major | 5 | 8B | 50 BPM | ||
El Año Pasado por Agua: "Escena Popular: Traemos los Cuerpos Trunzaus" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | D Major | 2 | 10B | 73 BPM | ||
La Dogaresa: "Paolo y coro de caballeros" - Remastered | Antonio Lopez Monis, Rafael Millán, Carlos Munguia, Ataúlfo Argenta, Juan Goróstidi, Gran Orquesta Sinfonica | G Major | 4 | 9B | 176 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM |
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