"Carmen, WD 31 / Act 3: "Holà, José!"" by Georges Bizet, Teresa Berganza, Sherrill Milnes, Gordon Sandison, Plácido Domingo, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy was released on January 1, 1978. The duration of Carmen, WD 31 / Act 3: "Holà, José!" is about 3 minutes long, at 3:00. Based on our data, "Carmen, WD 31 / Act 3: "Holà, José!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 49 in Bizet: Carmen by Georges Bizet, Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado. Based on our statistics, Carmen, WD 31 / Act 3: "Holà, José!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31 / Act 3: "Holà, José!" by Georges Bizet, Teresa Berganza, Sherrill Milnes, Gordon Sandison, Plácido Domingo, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Egmont Overture, Op. 84 - Remastered | Ludwig van Beethoven, George Szell, Cleveland Orchestra | F Minor | 1 | 4A | 83 BPM | ||
De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 1 | 6A | 71 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Cello Concerto in D Minor, RV 407: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | D Minor | 1 | 7A | 116 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM |
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