"Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Al mio dire perdono (Maddalena/Coro/Chénier/Contessa)" by Umberto Giordano, Antonietta Stella, Franco Corelli, Luciana Moneta, Coro del Teatro dell' Opera di Roma, Gianni Lazzari, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini was released on September 5, 1994. The duration of Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Al mio dire perdono (Maddalena/Coro/Chénier/Contessa) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Al mio dire perdono (Maddalena/Coro/Chénier/Contessa)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Umberto Giordano, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma's "Giordano: Andrea Chénier" album is number 12 out of 44. Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Al mio dire perdono (Maddalena/Coro/Chénier/Contessa) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier (1994 Digital Remaster), ATTO PRIMO: Al mio dire perdono (Maddalena/Coro/Chénier/Contessa) by Umberto Giordano, Antonietta Stella, Franco Corelli, Luciana Moneta, Coro del Teatro dell' Opera di Roma, Gianni Lazzari, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM | ||
L'enamourée | Reynaldo Hahn, Anna Netrebko | D♭ Major | 0 | 3B | 173 BPM | ||
Fedora / Act 2: La Donna Russa | Umberto Giordano, Fabio Maria Capitanucci, Nabil Suliman, Enrico Casari, Nino Machaidze, Orchestre Symphonique De La Monnaie, Alberto Veronesi | A Major | 1 | 11B | 83 BPM | ||
Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | ||
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM |
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