"Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III" by Franz Schubert, Barbara Bonney, Geoffrey Parsons was released on January 1, 1994. The duration of Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III is about 3 minutes long, at 3:27. Based on our data, "Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #6. Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 181 BPM | ||
An die Laute, Op. 81, No. 2, D. 905 | Franz Schubert, Fritz Wunderlich, Hubert Giesen | D Major | 0 | 10B | 94 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Ich liebe dich, WoO 123 | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Hertha Klust | F Major | 0 | 7B | 169 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 131 BPM | ||
Im Abendrot, D.799 | Franz Schubert, Anne Sofie von Otter, Bengt Forsberg | D Major | 1 | 10B | 91 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Cecilia Bartoli, Jean-Yves Thibaudet | D Major | 3 | 10B | 124 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM |
Section: 0.8200924396514893
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