- BPM
- 107
- Key
- F♯ Minor
- Camelot
- 11A
Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande - Johann Sebastian Bach, Arthur Grumiaux Information
- Acousticness
- 99%
- Danceability
- 45%
- Energy
- 29%
- Instrumentalness
- 11%
- Liveness
- 14%
- Loudness
- 77%
- Speechiness
- 6%
- Valence
- 97%
- Popularity
- 9%
- Loudness
- -13.798 dB
Summary
On January 1, 1961, the song "Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande" was released by Johann Sebastian Bach, Arthur Grumiaux. The duration of Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande is about 3 minutes long, at 3:07. Based on our data, "Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 31 in Bach, J.S.: Complete Sonatas & Partitas for Solo Violin by Johann Sebastian Bach, Arthur Grumiaux. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande BPM
The tempo marking of Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande by Johann Sebastian Bach, Arthur Grumiaux is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Partita for Violin Solo No. 2 in D Minor, BWV 1004: 3. Sarabande Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | |
 | Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | |
 | Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | |
 | Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM | |
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | |
 | Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM |
- ISRC
- NLA506100113
- Label
- L-M Records/RCA Records
Section: 0.7936084270477295
End: 0.7978436946868896