"Three Dream Portraits: III. I, Too" by Margaret Bonds, Langston Hughes, Odekhiren Amaize, David Korevaar was released on June 15, 1999. The duration of Three Dream Portraits: III. I, Too is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Three Dream Portraits: III. I, Too's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Negro Speaks of Rivers - Art Songs by African-American Composers". In this album, this song's track order is #4. Three Dream Portraits: III. I, Too is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Dream Portraits: III. I, Too by Margaret Bonds, Langston Hughes, Odekhiren Amaize, David Korevaar having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Dream Portraits: I. Minstrel Man | Margaret Bonds, Malcolm J. Merriweather, Ashley Jackson, The Dessoff Orchestra | E♭ Minor | 2 | 2A | 76 BPM | ||
Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 3. Carol | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 80 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Sonatine, M. 40: II. Mouvement de menuet (Arr. for Orchestra by John Rutter) | Maurice Ravel, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 91 BPM | ||
Les Hypermnésiques | Raphael Fimm | E Major | 2 | 12B | 115 BPM | ||
Serenade for Strings in E Major, B.52: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM |
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