"Three Dream Portraits: III. I, Too" by Margaret Bonds, Langston Hughes, Odekhiren Amaize, David Korevaar was released on June 15, 1999. The duration of Three Dream Portraits: III. I, Too is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Three Dream Portraits: III. I, Too's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Negro Speaks of Rivers - Art Songs by African-American Composers". In this album, this song's track order is #4. Three Dream Portraits: III. I, Too is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Dream Portraits: III. I, Too by Margaret Bonds, Langston Hughes, Odekhiren Amaize, David Korevaar having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock | E♭ Major | 1 | 5B | 76 BPM | ||
Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter | A Major | 0 | 11B | 64 BPM | ||
Wood Notes: IV. Whippoorwill's Shoes: Humorously | William Grant Still, Fort Smith Symphony, John Jeter | C Major | 1 | 8B | 116 BPM | ||
Strings of Heaven | Johannes Brahms, Borika Van Den Booren, Berliner Symphoniker, Eduardo Marturet | F Major | 0 | 7B | 72 BPM | ||
Sonatine, M. 40: II. Mouvement de menuet (Arr. for Orchestra by John Rutter) | Maurice Ravel, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 91 BPM | ||
Mini Sleeping Beauty | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Pietà: I. Stabat mater dolorosa | Richard Blackford, Bouremouth Symphony Chorus, Gavin Carr, Bournemouth Symphony Orchestra | E Major | 4 | 12B | 132 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM |
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