Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon's 'Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 3. Carol' came out on January 15, 2016. The duration of Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 3. Carol is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 3. Carol's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 18 out of 19. Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 3. Carol is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 3. Carol by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 79 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | A Major | 1 | 11B | 80 BPM | ||
Cradle Song | Gordon Jacob, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 72 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: II. Largo | Wolfgang Amadeus Mozart, Ivan Moravec, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 94 BPM | ||
Local Hero Saxophone Concerto (Arranged by Jessica Wells): Going Home | Mark Knopfler, Amy Dickson, Benjamin Northey, Melbourne Symphony Orchestra | D Major | 3 | 10B | 108 BPM |
Section: 0.8777101039886475
End: 0.8908872604370117