Georg Philipp Telemann, Marie-Sophie Pollak, Dominik Köninger, Akademie für Alte Musik Berlin, Georg Kallweit made "Pimpinone, TWV 21:15, Pt. 2: Stendi, stendi!" available on May 6, 2022. Pimpinone, TWV 21:15, Pt. 2: Stendi, stendi! is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 25 in the song's album "Telemann: Pimpinone, TWV 21:15". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, Pimpinone, TWV 21:15, Pt. 2: Stendi, stendi!'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Pimpinone, TWV 21:15, Pt. 2: Stendi, stendi! by Georg Philipp Telemann, Marie-Sophie Pollak, Dominik Köninger, Akademie für Alte Musik Berlin, Georg Kallweit having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 0 | 3B | 74 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Overture in G Minor | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": I. Ouverture | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | A Major | 2 | 11B | 110 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto In D Major, TWV 40:202 For 4 Violins Without Basso Continuo: 1. Adagio | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | A♭ Major | 0 | 4B | 179 BPM | ||
Concerto in A Minor for Violin, BWV 1041: Concerto in A Minor for Violin, BWV 1041: II. Andante | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | B Major | 1 | 1B | 175 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: II. Allemanda | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 133 BPM |
Section: 0.5084922313690186
End: 0.5134000778198242