"Das Rheingold, WWV 86A / Scene 2: "Abendlich strahlt der Sonne Auge"" by Richard Wagner, George London, Kirsten Flagstad, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With this song being about 5 minutes long, at 4:50, "Das Rheingold, WWV 86A / Scene 2: "Abendlich strahlt der Sonne Auge"" by Richard Wagner, George London, Kirsten Flagstad, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Das Rheingold, WWV 86A / Scene 2: "Abendlich strahlt der Sonne Auge" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Rheingold, WWV 86A / Scene 2: "Abendlich strahlt der Sonne Auge" by Richard Wagner, George London, Kirsten Flagstad, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 0 | 11B | 135 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
Don Giovanni, K.527, Act II, Scena quinta: Ah, signor! Per carita! (Leporello/Don Giovanni) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | F Major | 2 | 7B | 70 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 4th Movement - "Urlicht": Sehr feierlich, aber schlicht (Choralmässig) | Gustav Mahler, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan | D♭ Major | 0 | 3B | 87 BPM | ||
Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 76 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM |
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