On March 6, 2012, the song "The Nutcracker, Ballet Suite, Op. 71a: VI. Chinese Dance" was released by Bamberg Symphony, Jonel Perlea. With The Nutcracker, Ballet Suite, Op. 71a: VI. Chinese Dance being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Tchaikovsky: The Nutcracker Ballet Suite". In this album, this song's track order is #6. Based on our statistics, The Nutcracker, Ballet Suite, Op. 71a: VI. Chinese Dance's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Nutcracker, Ballet Suite, Op. 71a: VI. Chinese Dance by Bamberg Symphony, Jonel Perlea having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, D. 125: III. Menuetto - Trio | Franz Schubert, Bamberg Symphony, Jonathan Nott | C Minor | 2 | 5A | 81 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Die verkaufte Braut (2007 Remaster), Akt 3: Gesegnet, was liebt und auch vertraut (Terzett: Hans - Marie - Kezal) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio | Franz Schubert, Bamberg Symphony, Jonathan Nott | G Major | 1 | 9B | 129 BPM | ||
Symphony No. 2: First movement | Arvo Pärt, Bamberg Symphony, Neeme Järvi | A Major | 0 | 11B | 58 BPM | ||
Symphony No. 3 in D Major, D. 200: III. Menuetto: Vivace | Franz Schubert, Bamberg Symphony, Jonathan Nott | B Major | 0 | 1B | 126 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM |
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