William Croft, Michael Laird, The Parley of Instruments, Peter Holman made "Overture in D Major: II. Allegro" available on February 1, 1996. The duration of Overture in D Major: II. Allegro is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Overture in D Major: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Sound the Trumpet: Music By Purcell & His Followers (English Orpheus 35)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Overture in D Major: II. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture in D Major: II. Allegro by William Croft, Michael Laird, The Parley of Instruments, Peter Holman having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
Maria jumping mountains | Smooth Moment | C Major | 2 | 8B | 120 BPM | ||
Missa si Deus pro nobis, a 16 voci: VII. Sanctus | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 2 | 8A | 46 BPM | ||
Jesus, You Are the Way | Margaret Rizza, Kevin Mayhew Ltd | E Major | 1 | 12B | 143 BPM | ||
Croft: Suite No. 3 in C Minor: III. Corant | William Croft, Ruth Dyson | G Major | 5 | 9B | 93 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM | ||
Missa Pange Lingua: III. Credo | Josquin des Prez, Choir of Clare College, Cambridge, Graham Ross, Laurence Harris | E♭ Major | 1 | 5B | 72 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM |
Section: 0.6145052909851074
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