Johannes Brahms, Daniel Hope, Zürcher Kammerorchester made "21 Hungarian Dances, WoO 1: No. 5 in G Minor. Allegro" available on January 5, 2024. The duration of 21 Hungarian Dances, WoO 1: No. 5 in G Minor. Allegro is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: No. 5 in G Minor. Allegro's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Brahms: 21 Hungarian Dances, WoO 1: No. 5 in G Minor. Allegro and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 21 Hungarian Dances, WoO 1: No. 5 in G Minor. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1: No. 5 in G Minor. Allegro by Johannes Brahms, Daniel Hope, Zürcher Kammerorchester is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Canon, P.37 (Arr. for Piano four hands by Martin Stadtfeld) | Johann Pachelbel, Martin Stadtfeld, Lilian Akopova | C Major | 4 | 8B | 131 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | B♭ Major | 3 | 6B | 145 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Pinocchio: IX. Il Gatto e la Volpe | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | D Minor | 2 | 7A | 85 BPM | ||
Symphony No. 13: Movement I | Canada’s National Arts Centre Orchestra, Alexander Shelley, Philip Glass | F Major | 2 | 7B | 127 BPM | ||
Pavane pour un infante défunte, M. 19 | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | G Major | 0 | 9B | 86 BPM | ||
Estrellita (Arr. Abril & Barrueco for Guitar) | Manuel Ponce, Alexandra Whittingham | D Major | 0 | 10B | 113 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM |
Section: 0.6354770660400391
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