"Symphony No. 13: Movement I" by Canada’s National Arts Centre Orchestra, Alexander Shelley, Philip Glass was released on February 9, 2024. Since Symphony No. 13: Movement I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Truth in Our Time". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Symphony No. 13: Movement I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 13: Movement I by Canada’s National Arts Centre Orchestra, Alexander Shelley, Philip Glass having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recomposed: Vivaldi - The Four Seasons: Spring 3 | Max Richter, Antonio Vivaldi, Daniel Rowland, Stift Festival Orchestra | F Minor | 2 | 4A | 107 BPM | ||
Fandango: II. Plegaria (Chaconne) | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers | C Minor | 3 | 5A | 80 BPM | ||
V. Earth | Rachel Portman, Niklas Liepe, WDR Funkhausorchester, Erina Yashima | G Minor | 1 | 6A | 99 BPM | ||
Paraphrase on the Prelude in C-Sharp Major, BWV 872 (Transcribed by Alexander Siloti) | Johann Sebastian Bach, Mao Fujita | D♭ Minor | 3 | 12A | 109 BPM | ||
Symphony No. 13: Movement I | Canada’s National Arts Centre Orchestra, Alexander Shelley, Philip Glass | F Major | 2 | 7B | 127 BPM | ||
Variations on a theme of Paganini: Theme. Vigorosamente – Var. 1 & Var. 2. Pochissimo più mosso | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Prélude in B Major, Op. 16, No. 1 - Upright Version | Alexander Scriabin, Julius Asal | D Minor | 2 | 7A | 82 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Reger for Piano) | Johannes Brahms, Rudolf Buchbinder | E♭ Major | 0 | 5B | 89 BPM | ||
Tram | Oliver Coates | B♭ Minor | 0 | 3A | 70 BPM | ||
Violin Concerto No. 1: II. | Unsuk Chin, Berliner Philharmoniker, Sir Simon Rattle, Christian Tetzlaff | D Major | 2 | 10B | 71 BPM |
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