Jean-Marie Leclair I, Guido Rimonda, Giulia Rimonda made "Sonata in A Major for Two Violins, Op. 3, No. 2: 1. Allegro" available on September 1, 2017. With this song being about 5 minutes long, at 4:53, "Sonata in A Major for Two Violins, Op. 3, No. 2: 1. Allegro" by Jean-Marie Leclair I, Guido Rimonda, Giulia Rimonda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Guido Rimonda, Camerata Ducale's "Le Violon Noir" album is number 10 out of 20. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Sonata in A Major for Two Violins, Op. 3, No. 2: 1. Allegro's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata in A Major for Two Violins, Op. 3, No. 2: 1. Allegro by Jean-Marie Leclair I, Guido Rimonda, Giulia Rimonda to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Sonata for 2 Violins in D Major, Op. 12, No. 3: I. Un poco andante | Jean-Marie Leclair, Greg Ewer, Adam LaMotte | A Major | 1 | 11B | 149 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Suite in A Minor: III. Courante La Mignonne | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 131 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto I in Sol minore RV 157: Allegro | Modo Antiquo, Federico Maria Sardelli | G Minor | 2 | 6A | 107 BPM | ||
Violin Concerto in D Major, FWV L:D4a: Violin Concerto in D Major, FWV L:D4a: I. Allegro | Johann Friedrich Fasch, Johannes Pramsohler, Darmstädter Barocksolisten | D Major | 3 | 10B | 103 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: III. Presto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 4 | 12A | 98 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | E Major | 4 | 12B | 136 BPM |
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