Modo Antiquo, Federico Maria Sardelli's 'Concerto I in Sol minore RV 157: Allegro' came out on January 26, 2007. The duration of Concerto I in Sol minore RV 157: Allegro is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Concerto I in Sol minore RV 157: Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Concerti Di Parigi I XII by Modo Antiquo. The song's track number on the album is #3 out of 35 tracks. In terms of popularity, Concerto I in Sol minore RV 157: Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto I in Sol minore RV 157: Allegro by Modo Antiquo, Federico Maria Sardelli has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto I in Sol minore RV 157: Allegro being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
III. Rondo. Con allegrezza | Bernhard Romberg, Reinhard Goebel | E Major | 1 | 12B | 110 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Suite No.2 in B minor, BWV 1067: 5. Polonaise | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner | B Minor | 2 | 10A | 125 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Acis et Galatée, LWV 73, Act I Scene 6: Marche pour l'entrée de Polyphème - Le fier Polyphème s'avance - Live | Jean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Valeria La Grotta | B Major | 2 | 1B | 80 BPM | ||
Concerto Grosso in F Major, Op. 6, No. 2: I. Vivace - Allegro | Arcangelo Corelli, Modo Antiquo, Federico Maria Sardelli | E Major | 2 | 12B | 140 BPM | ||
Concerto I in Sol minore RV 157: Largo | Modo Antiquo, Federico Maria Sardelli | G Minor | 1 | 6A | 62 BPM | ||
Concerto II in Mi minore RV 133: Allegro | Modo Antiquo, Federico Maria Sardelli | E Minor | 1 | 9A | 116 BPM | ||
Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Grave (from Organconcerto No. 14, HWV 296a) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | D♭ Minor | 1 | 12A | 76 BPM | ||
San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM |
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