Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra's 'Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3d, Pas de six. Variation II "Coulante, the Fairy of Blooming Wheat"' came out on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3d, Pas de six. Variation II "Coulante, the Fairy of Blooming Wheat" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #7. In terms of popularity, Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3d, Pas de six. Variation II "Coulante, the Fairy of Blooming Wheat" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3d, Pas de six. Variation II "Coulante, the Fairy of Blooming Wheat" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marco Spada - Ballet Version: Act 2 | Daniel Auber, London Symphony Orchestra, Richard Bonynge | C Major | 1 | 8B | 128 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 84 BPM | ||
Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | ||
Act III: Variation 2 (Minkus) | Mariinsky Orchestra | C Major | 3 | 8B | 177 BPM | ||
Pictures at an Exhibition (Orch. Ravel): V. Ballet of the Unhatched Chicks | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D♭ Major | 2 | 3B | 91 BPM | ||
Capriccio Italiano, Op. 45 | London Symphony Orchestra, Philip Simms (Conductor) | A Major | 2 | 11B | 67 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 9, Finale | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 118 BPM | ||
Pictures at an Exhibition: The Old Castle | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | ||
La boîte à joujoux, L. 128: I. Le magasin de jouets | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | C Minor | 0 | 5A | 91 BPM |
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