"La boîte à joujoux, L. 128: I. Le magasin de jouets" by Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas was released on 1983. La boîte à joujoux, L. 128: I. Le magasin de jouets appears to be safe for all ages as it is not explicit. The song is number 2 out of 10 in Debussy: La Mer; La Boîte à joujoux (Children's Ballet); Prélude à l'áprès-midi d'un faune by Claude Debussy, Michael Tilson Thomas. In terms of popularity, La boîte à joujoux, L. 128: I. Le magasin de jouets is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La boîte à joujoux, L. 128: I. Le magasin de jouets by Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
Etudes-tableaux, Op. 33: No. 5 in D Minor. Moderato | Sergei Rachmaninoff, Nikolai Lugansky | D Minor | 1 | 7A | 76 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Chiyan Wong, London Symphony Orchestra, Christoph Koncz | E Major | 0 | 12B | 69 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.3 Paysage (Poco adagio) | Franz Liszt, Daniil Trifonov | F Major | 0 | 7B | 67 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | ||
Nessun Dorma | Giacomo Puccini, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 5 | 10B | 96 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: I. Allegro moderato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 2: Scene (Allegro) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 124 BPM | ||
Enigma Variations: Variation XIII. Romanza (***) - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM |
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