Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin's 'Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"' came out on January 1, 1998. With this song being about 5 minutes long, at 4:55, "Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"" by Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Classical Favourites, so we believe that "Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"" is a single. Based on our statistics, Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" by Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il viaggio a Reims: Dell'alma diva (Live) | Gioachino Rossini, Mirco Palazzi, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | F Major | 3 | 7B | 114 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM |
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