William Christie made "Purcell : King Arthur : Act 5 "Your hay it is mow'd" [Bass, Chorus]" available on 1995. The duration of Purcell : King Arthur : Act 5 "Your hay it is mow'd" [Bass, Chorus] is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Purcell : King Arthur : Act 5 "Your hay it is mow'd" [Bass, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #35. Purcell : King Arthur : Act 5 "Your hay it is mow'd" [Bass, Chorus] is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell : King Arthur : Act 5 "Your hay it is mow'd" [Bass, Chorus] by William Christie having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, William Christie, Anna Maria Panzarella, Les Arts Florissants | A Major | 1 | 11B | 80 BPM | ||
Les Indes galantes, Prologue, Scène 5: "Traversez les plus vastes mers" (L'Amour, Hébé, Choeur) | Jean-Philippe Rameau, Isabelle Poulenard, Claron McFadden, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 85 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | ||
Les Indes galantes, Première Entrée, Scène 6: Tambourins I & II. "Partez" (Emilie & Chœur) | Jean-Philippe Rameau, Miriam Ruggeri, Les Arts Florissants, William Christie | F♯ Major | 2 | 2B | 126 BPM | ||
L'Orfeo, Atto secondo: III. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des Nations | G Major | 0 | 9B | 73 BPM | ||
Handel: Serse, HWV 40, Act 2, Scene 3: Recitativo. "Di quel foglio, Atalanta" (Serse, Atalanta) | George Frideric Handel, William Christie, Anne Sofie von Otter, Sandrine Piau, Les Arts Florissants | D♭ Minor | 1 | 12A | 98 BPM | ||
Purcell : Dido & Aeneas : Overture | Henry Purcell, William Christie, Les Arts Florissants | B Minor | 3 | 10A | 98 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus] | William Christie | F Major | 0 | 7B | 100 BPM |
Section: 0.7029612064361572
End: 0.7142386436462402