"Traditional / Arr. Willcocks: "Whence is that goodly fragrance flowing?" by Traditional, Choir of King's College, Cambridge, David Willcocks was released on December 1, 2008. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 51 in Christmas At King's by Choir of King's College, Cambridge. Traditional / Arr. Willcocks: "Whence is that goodly fragrance flowing? is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Traditional / Arr. Willcocks: "Whence is that goodly fragrance flowing? by Traditional, Choir of King's College, Cambridge, David Willcocks is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
We Praise Thee, O God No. 2 in F Major | Lege Artis Chamber Choir, Boris Abalyan | F♯ Minor | 1 | 11A | 133 BPM | ||
L'amour, le temps | Bernat Vivancos, Sigvards Kļava, Latvian Radio Choir | A Minor | 0 | 8A | 77 BPM | ||
Mu suda, arka ules (arr. C. Kreek for choir) | Cyrillus Kreek, Traditional, Estonian Philharmonic Chamber Choir, Daniel Reuss | D Major | 1 | 10B | 87 BPM | ||
Veni Creator | Thomas Aquinas. et al., Kitty Cleveland | A♭ Major | 2 | 4B | 76 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Ay, Santa María | The Rose Ensemble, Jordan Sramek, Heather Cogswell, Kristine Kautzman | F Minor | 1 | 4A | 115 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
In Nativitate Domini, Ad Matutinum, in Primo Nocturno: Antiphona - Dominus Dixit Ad Me | Traditional, Slovenski Madrigalisti | C Major | 1 | 8B | 105 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Missa cum iubilo - Gloria | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 174 BPM |
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