"Concerto in G Minor: II. Largo" by Federico Maria Sardelli, Modo Antiquo, Paolo Pollastri was released on September 20, 2013. With Concerto in G Minor: II. Largo being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Sardelli: Baroque Concertos, Psalm, Chamber Music". In this album, this song's track order is #6. Concerto in G Minor: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in G Minor: II. Largo by Federico Maria Sardelli, Modo Antiquo, Paolo Pollastri having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 10 In B Minor RV 580: I. Allegro | Accademia Bizantina | B♭ Minor | 3 | 3A | 123 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
Concerto in D Major, RV 781: I. Sinfonia. Allegro | Antonio Vivaldi, Federico Maria Sardelli, Modo Antiquo | A♭ Minor | 0 | 1A | 75 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Flute Concerto in D Minor, QV 5:81: I. Allegro e con spirito | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 92 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa | Luigi Boccherini, Dominique Labelle, Sarasa Ensemble | E Major | 0 | 12B | 89 BPM |
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