Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer made "Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": I. Allegro Aassai" available on January 1, 1999. Since Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": I. Allegro Aassai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's "Great Haydn Symphonies: Orchestral Favourites, Vol. XVI" album is number 5 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": I. Allegro Aassai is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": I. Allegro Aassai by Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Sinfonia concertante in D Major: Symphony in D Major | Gaetano Donizetti, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 71 BPM | ||
Five pieces for Two Violins and Piano: III. Elegy- Andantino | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B♭ Minor | 0 | 3A | 103 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
Concerto in D major for Double-bass and Orchestra: 1. Allegro Moderato | Johann Baptist Vanhal, Odon Racz, Franz Liszt Chamber Orchestra | D Major | 1 | 10B | 105 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: IV. FINALE (ALLEGRO ASSAI) | Jeffrey Tate | G Minor | 2 | 6A | 122 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | E♭ Major | 1 | 5B | 145 BPM | ||
Viola Sonata in D Minor: I. Allegro moderato | Mikhail Glinka, Nobuko Imai, Roland Pöntinen | D Minor | 1 | 7A | 128 BPM |
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