"Viola Sonata in D Minor: I. Allegro moderato" by Mikhail Glinka, Nobuko Imai, Roland Pöntinen was released on January 31, 1987. Since Viola Sonata in D Minor: I. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rubinstein / Glinka / Glazunov / Stravinsky / Shostakovich: Russian Viola Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Viola Sonata in D Minor: I. Allegro moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Viola Sonata in D Minor: I. Allegro moderato by Mikhail Glinka, Nobuko Imai, Roland Pöntinen having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
The Enchanted Lake, Op. 62 | Anatoly Lyadov, Alan Gilbert, New York Philharmonic | D♭ Major | 0 | 3B | 71 BPM | ||
La séparation (Arr. O. Timofeyev for 7-String Guitar Duo) | Mikhail Glinka, John Schneiderman, Oleg Timofeyev | F Minor | 1 | 4A | 142 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Schön Rosmarin | Fritz Kreisler, Joshua Bell, Paul Coker | G Major | 1 | 9B | 107 BPM |
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