"Who Cares? (after Gershwin): Fascinatin' Rhythm" by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee was released on July 27, 2010. The duration of Who Cares? (after Gershwin): Fascinatin' Rhythm is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Who Cares? (after Gershwin): Fascinatin' Rhythm's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hershy Kay, Simon Lee, John Baltimore's "Kay, H.: Who Cares? [Ballet]" album is number 10 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Who Cares? (after Gershwin): Fascinatin' Rhythm is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Who Cares? (after Gershwin): Fascinatin' Rhythm by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 173 BPM | ||
Othello, Op. 79: I. Dance | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | D Minor | 3 | 7A | 82 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Major | 7 | 8B | 89 BPM | ||
Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
Chanson de matin, Op. 15, No. 2 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | B♭ Major | 1 | 6B | 105 BPM | ||
Eugenia | Scott Joplin, Benjamin Loeb | B♭ Major | 2 | 6B | 144 BPM | ||
The Garden of Eden: III. The Serpent's Kiss | William Bolcom, Spencer Myer | D Major | 2 | 10B | 113 BPM | ||
Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 3 | 9B | 126 BPM | ||
Sleeping Beauty Waltz | London Philharmonic Orchestra | B♭ Major | 3 | 6B | 169 BPM | ||
Grace and Beauty | James Lyle Scott, Morten Gunnar Larsen | A♭ Major | 1 | 4B | 105 BPM |
Section: 0.5637733936309814
End: 0.5679564476013184