Frédéric Chopin, Frédéric Lodéon, François-René Duchâble's 'Chopin: Grand Duo concertant sur des thèmes de Robert le Diable: I. Introduction. Largo' came out on January 1, 1982. The duration of Chopin: Grand Duo concertant sur des thèmes de Robert le Diable: I. Introduction. Largo is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Chopin: Grand Duo concertant sur des thèmes de Robert le Diable: I. Introduction. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Chopin: Sonate pour violoncelle et piano, Grand Duo concertant & Introduction et Grande Polonaise by Frédéric Chopin, Frédéric Lodéon, François-René Duchâble. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Chopin: Grand Duo concertant sur des thèmes de Robert le Diable: I. Introduction. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: Grand Duo concertant sur des thèmes de Robert le Diable: I. Introduction. Largo by Frédéric Chopin, Frédéric Lodéon, François-René Duchâble is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Ocean Etude in C minor--Chopin | Nathan Bello | F Minor | 2 | 4A | 139 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM |
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