"Adams: Two Fanfares for Orchestra: Tromba Lontana" by John Adams, Edo de Waart, San Francisco Symphony was released on April 15, 1987. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "The Chairman Dances". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Adams: Two Fanfares for Orchestra: Tromba Lontana's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adams: Two Fanfares for Orchestra: Tromba Lontana by John Adams, Edo de Waart, San Francisco Symphony having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
Respighi: Pini di Roma: III. I pini del Gianicolo (Lento) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | E Major | 0 | 12B | 88 BPM | ||
Mother Goose: V. The Fairy Garden | Maurice Ravel, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | B♭ Major | 3 | 6B | 124 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 75 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Der Ring: From "Das Rheingold": Vorspiel | Edo de Waart | E♭ Major | 0 | 5B | 124 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
The Gadfly Suite, Op. 97a: X. Nocturne | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 0 | 8A | 94 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM |
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