Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni made "Sinfonia per violoncello in G Minor: IV. Minuetto" available on April 15, 2022. With Sinfonia per violoncello in G Minor: IV. Minuetto being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 25 in Bononcini: Cello Sonatas by Marco Ceccato, Accademia Ottoboni. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sinfonia per violoncello in G Minor: IV. Minuetto is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sinfonia per violoncello in G Minor: IV. Minuetto by Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
6 Concerts transcrits en sextuor / 3e Concert: 1. La Poplinière | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: VI. Loure | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Divertimento da camera No. 2 in D Minor: III. Largo | Giovanni Bononcini, Stagione Armonica, La, Sergio Balestracci | D♭ Minor | 1 | 12A | 84 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Sonata in A minor: I. Andante | Giovanni Bononcini, Concentus Concordiae | A♭ Minor | 1 | 1A | 86 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Arda il mio petto amante | Giovanni Bononcini, Aurata Fonte, Perikli Pite, Miho Kamiya, Giangiacomo Pinardi, Valeria Montanari | B♭ Minor | 2 | 3A | 108 BPM | ||
Divertimento da camera No. 2 in D Minor: II. Vivace | Giovanni Bononcini, Stagione Armonica, La, Sergio Balestracci | F♯ Major | 1 | 2B | 109 BPM |
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