"Mesicku na nebi hlubokém ("Song of the Moon")" by Antonín Dvořák, Leontyne Price, Nello Santi, New Philharmonia Orchestra was released on 1975. Mesicku na nebi hlubokém ("Song of the Moon") is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Leontyne Price's "Leontyne Price - Prima Donna Vol. 4: Great Soprano Arias from Mozart to Menotti" album is number 8 out of 12. Mesicku na nebi hlubokém ("Song of the Moon") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mesicku na nebi hlubokém ("Song of the Moon") by Antonín Dvořák, Leontyne Price, Nello Santi, New Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Vier letzte Lieder, TrV 296: 1. Frühling | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | A Major | 3 | 11B | 83 BPM | ||
Requiem, Op.48: Pie Jesu | Gabriel Fauré, London Musici, Richard Marlow, Camilla Otaki | B♭ Major | 0 | 6B | 138 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Così fan tutte, K.588, Act I, Scene Three: Recitativo: Che silenzio! Che aspetto di tristezza (Don Alfonso/Despina) | Lorenzo Da Ponte, Wolfgang Amadeus Mozart, Lucia Popp, Otto Klemperer, New Philharmonia Orchestra | D Minor | 1 | 7A | 79 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
"Ombra mai fu" (Serse), HWV 40 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 135 BPM | ||
Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM | ||
Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM |
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