"Romeo and Juliette, Act II: Helas! moi, le hair" by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 19 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act II: Helas! moi, le hair is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliette, Act II: Helas! moi, le hair by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Coro a bocca chiusa from Madama Butterfly - Voice | Giacomo Puccini, Plácido Domingo, Renata Scotto, Lorin Maazel | F Major | 1 | 7B | 147 BPM | ||
L'Inverno (Winter) Op. 8 No. 4 in F minor: II. Largo | Antonio Vivaldi, Luka Sulic, Luigi Piovano, Archi dell'Accademia di Santa Cecilia | F Minor | 2 | 4A | 81 BPM | ||
Tango (arr. Godowsky) | Isaac Albéniz, Moura Lympany | D Major | 0 | 10B | 69 BPM |
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