Johannes Brahms, Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur's 'Violin Concerto in D Major, Op. 77: II. Adagio - Live' came out on January 1, 1997. Since Violin Concerto in D Major, Op. 77: II. Adagio - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 4 in Brahms: Violin Concerto In D Major, Op. 77 / Schumann: Fantasy For Violin And Orchestra In C Major, Op. 131 by Anne-Sophie Mutter, New York Philharmonic, Kurt Masur. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto in D Major, Op. 77: II. Adagio - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Concerto in D Major, Op. 77: II. Adagio - Live by Johannes Brahms, Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro (Live) | Dmitri Shostakovich, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Minor | 3 | 7A | 115 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro ma non troppo - Quasi moderato | Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck | B♭ Major | 3 | 6B | 96 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Violin Concerto No.1 in D, Op.6: 2. Adagio | Niccolò Paganini, Gil Shaham, New York Philharmonic, Giuseppe Sinopoli | B Minor | 1 | 10A | 92 BPM | ||
Valses nobles et sentimentales, M.61: 3. Modéré | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 89 BPM | ||
Cello Concerto In D Minor - III. Introduction | Édouard Lalo, Dimanche FR | D Major | 2 | 10B | 91 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
III. Andante | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | G Major | 1 | 9B | 101 BPM |
Section: 0.6752598285675049
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