Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Marielou Jacquard's ' "Coronis, Jornada primera: No. 18, Al arma rigores" was released on its scheduled release date, February 11, 2022. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Coronis, Jornada primera: No. 18, Al arma rigores's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada primera: No. 18, Al arma rigores is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Coronis, Jornada primera: No. 18, Al arma rigores by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Marielou Jacquard having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces en trio: Suite No. 5 en mi mineur: V. Sarabande en rondeau | Marin Marais, Ensemble Amalia | C Major | 3 | 8B | 70 BPM | ||
Symphonia a 2 violini in F Major: I. Grave | Rinaldo Alessandrini, Concerto Italiano | A Major | 3 | 11B | 93 BPM | ||
Armide, LWV 71, Act I Scene 3: Que la douceur d'un triomphe (Sidonie, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: IV. Rondeau | Marin Marais, Ensemble Amalia | F♯ Major | 0 | 2B | 141 BPM | ||
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad manus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Coronis, Jornada primera: No. 11, Al ver que de mi horror | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet | E♭ Minor | 2 | 2A | 77 BPM |