"Deux arabesques, L. 66: No. 1 in E Major, Andantino con moto" by Giovanni Umberto Battel was released on March 31, 2017. With this song being about 5 minutes long, at 4:52, "Deux arabesques, L. 66: No. 1 in E Major, Andantino con moto" by Giovanni Umberto Battel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 50 in the song's album "Piano Moods: 50 Songs". In this album, this song's track order is #3. Deux arabesques, L. 66: No. 1 in E Major, Andantino con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Deux arabesques, L. 66: No. 1 in E Major, Andantino con moto by Giovanni Umberto Battel having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane (From "Mr. Nobody") | See Siang Wong | F♯ Minor | 0 | 11A | 91 BPM | ||
Canon in D for Strings and Continuo | Johann Pachelbel, Baroque Chamber Orchestra, Ettore Stratta | D Major | 2 | 10B | 81 BPM | ||
Barcarolle Op. 65 No. 6 | Charles-Valentin Alkan, Pascal Amoyel | G Minor | 0 | 6A | 67 BPM | ||
1922, Op. 26: March | Paul Hindemith, Giovanni Umberto Battel | D Major | 1 | 10B | 181 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major | Antonín Dvořák, Balazs Szokolay | F♯ Major | 1 | 2B | 112 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Philadelphia Orchestra, Eugene Ormandy | E Minor | 1 | 9A | 91 BPM | ||
Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano) | Jacques Offenbach, Raphaela Gromes, Wen-Sinn Yang, Julian Riem | D Major | 1 | 10B | 132 BPM | ||
Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | A Major | 2 | 11B | 103 BPM | ||
Paganini Etude No. 3 "La Campanella" | Franz Liszt, Nobuyuki Tsujii | A♭ Minor | 6 | 1A | 81 BPM |
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