Jacques Offenbach, Raphaela Gromes, Wen-Sinn Yang, Julian Riem's 'Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano)' came out on May 10, 2019. The duration of Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano) is about 3 minutes long, at 3:26. Based on our data, "Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Offenbach". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Based on our statistics, Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano) by Jacques Offenbach, Raphaela Gromes, Wen-Sinn Yang, Julian Riem having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monti / Transcr. Capuçon, G: Csárdás | Vittorio Monti, Gautier Capuçon, Jerome Ducros | D Minor | 1 | 7A | 92 BPM | ||
Six Morceaux, VWV 3003: II. Bohémienne (Arr. for Cello & Orchestra by Julian Riem) | Pauline Viardot, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | C Major | 2 | 8B | 119 BPM | ||
Six Pieces for Piano, Op. 118: II. Intermezzo in A Major. Andante teneramente (Arr. Popov for Clarinet and Piano) | Johannes Brahms, Andreas Ottensamer, Yuja Wang | D Major | 0 | 10B | 138 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Thaïs, DO 24: Meditation (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Jules Massenet, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 88 BPM | ||
Rêverie au bord de la mer, WoO | Jacques Offenbach, Raphaela Gromes, Julian Riem | G Major | 1 | 9B | 73 BPM | ||
12 Capricci Op. 25 Per Violoncello Solo: Moderato Ma Energico | Wen-Sinn Yang | A Minor | 1 | 8A | 94 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
Cinema Paradiso | Ennio Morricone, Raphaela Gromes, Julian Riem | B♭ Major | 1 | 6B | 66 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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