George Gershwin, Yehudi Menuhin made "Gershwin: Shall We Dance: They Can't Take That Away from Me" available on 1988. With this song being about 5 minutes long, at 4:50, "Gershwin: Shall We Dance: They Can't Take That Away from Me" by George Gershwin, Yehudi Menuhin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Gershwin, Yehudi Menuhin, Stéphane Grappelli's "Menuhin and Grappelli play ... Gershwin" album is number 12 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Gershwin: Shall We Dance: They Can't Take That Away from Me is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gershwin: Shall We Dance: They Can't Take That Away from Me by George Gershwin, Yehudi Menuhin to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maple Leaf Rag | Scott Joplin, Joshua Rifkin | A♭ Major | 2 | 4B | 90 BPM | ||
Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo | Henry Litolff, San Francisco Symphony, Michael Tilson Thomas | D Minor | 3 | 7A | 122 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Three-Quarter Blues: Andante con moto | George Gershwin, Frank Braley | C Major | 0 | 8B | 91 BPM | ||
Strike Up the Band: Overture (arr. D. Rose for orchestra) | George Gershwin, Don Rose, Buffalo Philharmonic Orchestra, Joann Falletta | G Major | 1 | 9B | 109 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
The Tale of Tsar Saltan: The Flight of the Bumble-bee | Nikolai Rimsky-Korsakov, Ludmila Peterková, Irina Kondratenko | G Minor | 1 | 6A | 169 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM |
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