George Gershwin, Yehudi Menuhin made "Gershwin: Shall We Dance: They Can't Take That Away from Me" available on 1988. With this song being about 5 minutes long, at 4:50, "Gershwin: Shall We Dance: They Can't Take That Away from Me" by George Gershwin, Yehudi Menuhin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Gershwin, Yehudi Menuhin, Stéphane Grappelli's "Menuhin and Grappelli play ... Gershwin" album is number 12 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Gershwin: Shall We Dance: They Can't Take That Away from Me is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gershwin: Shall We Dance: They Can't Take That Away from Me by George Gershwin, Yehudi Menuhin to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Virtuoso Etudes: 1. I Got Rhythm (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | F♯ Major | 3 | 2B | 106 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Porgy and Bess (arr. J. Heifetz for violin and piano): I. Summertime - A Woman is a Sometime Thing | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | G Major | 2 | 9B | 65 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM |
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