Gioachino Rossini, Maria Callas, Franco Calabrese, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano's 'Rossini: Il turco in Italia, Act 1: "Per piacere alla signora" (Geronio, Fiorilla)' came out on 1955. The duration of Rossini: Il turco in Italia, Act 1: "Per piacere alla signora" (Geronio, Fiorilla) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Rossini: Il turco in Italia, Act 1: "Per piacere alla signora" (Geronio, Fiorilla)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rossini: Il turco in Italia, Act 1: "Per piacere alla signora" (Geronio, Fiorilla) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rossini: Il turco in Italia, Act 1: "Per piacere alla signora" (Geronio, Fiorilla) by Gioachino Rossini, Maria Callas, Franco Calabrese, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 3: Air: "Je dis que rien ne m'épouvante" | Georges Bizet, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 81 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
I Capuleti e i Montecchi: Oh! quante volte ti chiedo | Vincenzo Bellini, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | G Minor | 0 | 6A | 78 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Demeure parmi nous, Nadir! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey | B♭ Minor | 1 | 3A | 92 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Rigoletto / Act 3: V'ho ingannato | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 87 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
Madama Butterfly / Act I: Viene la sera | Giacomo Puccini, José Carreras, Mirella Freni, Teresa Berganza, Philharmonia Orchestra, Giuseppe Sinopoli | G Minor | 4 | 6A | 89 BPM | ||
Rigoletto / Act 1: Questa o quella...Partite? Crudele! | Giuseppe Verdi, Plácido Domingo, Olive Fredricks, Luigi De Corato, Dirk Sagemüller, Piero Cappuccilli, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | A♭ Major | 2 | 4B | 120 BPM | ||
Rigoletto / Act 3: Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) | Giuseppe Verdi, Carlo Bergonzi, Renata Scotto, Fiorenza Cossotto, Dietrich Fischer-Dieskau, Orchestra Del Teatro Alla Scala, Milano, Rafael Kubelik | E Major | 2 | 12B | 134 BPM |
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