Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 2: "Tu me fuis?"" available on January 1, 1992. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 2: "Tu me fuis?" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann / Act 2: "Tu me fuis?" by Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lagunen Waltz, Op. 411 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | D Major | 2 | 10B | 99 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: III. Allegretto (Alla Turca) | Wolfgang Amadeus Mozart, Christoph Eschenbach | A Major | 2 | 11B | 129 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM |
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