Max Lorenz, Orchester Der Staatsoper Berlin's 'Trinkspruch' came out on August 22, 2006. The duration of Trinkspruch is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Trinkspruch's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 18 out of 33. The popularity of Trinkspruch is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trinkspruch by Max Lorenz, Orchester Der Staatsoper Berlin to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 11 in A Major, K. 331 - Arr. Orchestra: 3. Turkish March - Remastered 2024 | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Czardasfürstin - Live | André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Micaëla Oeste, Madieke Schoots | F Major | 5 | 7B | 84 BPM | ||
Dir töne Lob (Tannhäuser) | Max Lorenz, Orchester Der Staatsoper Berlin | D Major | 4 | 10B | 168 BPM | ||
ゆっくり歩こう | Junior generations | G Major | 1 | 9B | 160 BPM | ||
Auf! Auf! Ihr Frauen! Frisch und froh! (Tristan und Isolde) | Max Lorenz, Margarete Klose, Chor Der Staatsoper Berlin, Erich Zimmermann, Benno Arnold, Jaro Prohaska, Ludwig Hofmann, Staatskapelle Berlin, Eugen Fuchs, Felix Fleischer, Paula Buchner | D Minor | 3 | 7A | 80 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 4 | 11B | 162 BPM | ||
Fanget an! (Die Meistersinger von Nürnberg) | Max Lorenz, Orchester Der Staatsoper Berlin | F Major | 5 | 7B | 89 BPM |
Section: 0.9238407611846924
End: 0.9274537563323975